1. Mind Melt 2. A.O.A. 3. Shake It Off 4. Gag Of Steel 5. Devastation 6. Combat Zone 7. Immoral Society 8. Attack On America 9. Reanimate 10. Act Of Betrayal / Nightmare Administrator 11. Practice What You Preach 12. Kranked Up And Out

Napalm's Cruel Tranquility combined some obvious elements of hardcore with more complex and heavy thrash metal into a surprisingly fine album. The plain vocals and a few rather short songs are quite standard hardcore-ish touches, but Napalm's very heavy approach really makes the music rise above the average level and also makes the result refreshing when compared to many other more generic thrash bands. Of course, an album of this kind starts to wear out pretty soon if heard too often, but taken every now and then Cruel Tranquility is assured to cheer you up with its fresh sound. Despite not being a groundbreaking release by any means, it certainly can provide a welcome break from some less inspired thrash metal albums.

1. As The World Is Burnt 2. Greed 3. Scanning Hell 4. Lost Power 5. Injector II 6. Disruption 7. Future Kill 8. Partial Existence

Fatal may be the best album originated from the old thrash metal scene in Japan. That's guaranteed to sound like a bold statement at first, but Narcotic Greed had what it takes to make an impression that will last. The feel of this album is very energetic and nimble, with a positive power drive that thrives from the very first notes. Worth a special mention, every so often the band's style brings Forbidden's debut release Forbidden Evil to mind, with similar vocals and everything - which is not to say that this would be a mere copycat, more like a respectable successor to the original spirit. One could actually go as far as to say that this may be the best album that Forbidden never recorded. While it is probably not appropriate to label Narcotic Greed as an exemplary group, Fatal can be easily recommended to anyone who wants something more than just going through the motions.

1. Stabbed In The Back 2. Divination 3. XXX 4. Indulgence 5. Inferno 6. Hypnotic Trance 7. Incursion Dementia 8. Distorted Fanatic 9. ?

Nasty Savage were an interesting band playing some more conventional heavy metal in the beginning of their career but then proceeding on to the thrashier territory. Indulgence is an album of crushing speed/thrash metal with a wonderfully heavy and rich production. Although there are some mid-tempo tracks still left, the general feel of this album is very thrashy and heavy. A distinctive feature of the band's sound must be Nasty Ronnie's vocals, a mix of low growling and occasional melodic singing (with an extremely high-pitched voice). The songs have a great, dark feel to them, and the plentiful use of double-bass drumming really adds to the general heaviness of this album. Indulgence is probably the best demonstration of Nasty Savage's original style and a fine speed/thrash metal album indeed.

1. Welcome Wagon 2. Irrational 3. Ritual Submission 4. Powerslam 5. Sin Eater 6. Penetration Point 7. Puzzled 8. Horizertical 9. Family Circus

By their last album in the eighties Nasty Savage had fully adopted the thrash metal formula, but at the same time some of the rich sound of Indulgence was apparently lost. The feel of Penetration Point is rather sterile and plain, and the band sound less intense than in the past. Especially the vocals are more one-dimensional on this album. Many songs are actually somewhat more complex and technical than before, but the music on the whole fails to have the same kind of dark appeal as the tracks on Indulgence. While this album still has its fair share of interesting moments, it tends to leave me pretty indifferent as there is nothing particularly memorable in it - unfortunately so, as I was expecting a lot more from this one, really.

1. Psycho Psycho 2. Hell Unleashed 3. Anguish 4. Human Factor 5. Terminus Maximus 6. Dementia 13 7. Step Up To The Plate 8. Return Of The Savage 9. Triumphal Entry 10. Betrayal System 11. Savage Desire 12. Merciless Truths

Another long lost thrash metal band to return to the field, Nasty Savage at least had a lot to improve after their last release in the eighties. The initial moments of Psycho Psycho should be enough to make you jump around for a while just for hearing what Nasty Savage can do at their best, even though the feeling does not last through the whole album. This time there is more flesh and blood around the bones than on Penetration Point, and the best tracks are like something straight out of Indulgence. Unfortunately some other parts of the album are quite average as far as songwriting goes. Many songs just do not have a point and fail to catch any serious attention, although certain basic riffs are used repeatedly in a fairly tasty manner. At least the production is top-notch, exactly what you would expect Nasty Savage to sound like. It is a bit disappointing that despite its good points Psycho Psycho somehow lacks the final touch, however, it must be admitted that the band's dark sound is excellent.

1. 911 2. Ante Mortem 3. Deathwish 4. Final Gathering 5. Lucy 6. 14U 7. Pain Of Pleasure 8. Silent Violence 9. Sunrise 10. Where Fears Reign 11. Realm Of Chaos

Although probably simplifying things a bit, it would not be too far fetched to call National Napalm Syndicate yet another cult band of their time. While it is always a welcome treat to hear little known recordings like this band's debut album, to consider this release anything more than an average product at best would mean giving it too much credit. Featuring some rather unsurprising thrash metal, this recording does not exactly sport any great innovations that would not have been heard before in these circles. It is only occasionally that the band's very basic approach results in some individual memorable moments, but whole songs of high quality are not too easily found here, the powerful Lucy being maybe the only exception. When the most distinctive detail about National Napalm Syndicate seems to have been their name, you cannot help feeling at least slightly disappointed.

1. ...Agony / The Flag Of The Inverted Cross 2. At The Mountains Of Madness 3. Sauthenerom 4. Mater Tenebrarum 5. Necrosadist 6. Internal Decay 7. Graveyard Of The Innocents 8. The Undead / Agony (Reprise)

Thrash metal bands from the southern Europe were not too numerous back then, therefore Necrodeath provide some nice perspective to the past with their debut release. Into The Macabre is a brutal album of black thrash metal, particularly interesting for its apparent influence on modern black metal bands. Unlike the early efforts by Slayer and Infernal Majesty in the same vein, Necrodeath's debut might rather easily pass as a modern day album with some necessary refinements in the arrangements and production. Now the production is really not that great and the sound is often quite messy. As for music, Into The Macabre is not an easy case. At times (like on Mater Tenebrarum) the brutal execution sort of pays off, at others the songs could have used a lot more work. The lyrics are sick even on your typical thrash metal scale, a mixture of satanic and Lovecraftian imagery. Somehow I had higher hopes for this album in the beginning, and while it is certainly not the worst of its kind, there are lots of better releases out there.

1. Choose Your Death 2. Tanathoid 3. State Of Progressive Annihilation 4. Metempsychosis 5. Fragments Of Insanity 6. Enter My Subconscious 7. Stillbirth 8. Eucharistical Sacrifice

Necrodeath's second album differs from its predecessor like night and day. Whereas the band's debut sounded rather primitive and disjointed, Fragments Of Insanity is a perfectly controlled and refined album that doesn't sacrifice any speed or intensity in the process. Saying that some development had happened would be a serious understatement. Despite more advanced songwriting and some added complexity, the band sound here just as intense as ever but without any of the debut album's defects left. The improved production values only do justice to the thrilling vocals and accurate playing. It's hard to pick any individual tracks over the others as the album on the whole is very consistent and equally memorable. With some great riffs and tight arrangements, this album turns out to be a little masterpiece in its own right. In some way it feels like Possessed's Beyond The Gates, but Necrodeath's effort is a lot more stylish and convincing. Fragments Of Insanity easily deserves a place among the more classic releases.

1. Blind Destruction 2. Hades Invasion 3. Magic Forest 4. Iron Charm 5. Dark Land 6. Possessed By Evil 7. Bloody Revenge 8. Insanity

I must admit that based on the first listening only, Necronomicon's debut felt like a collection of incomprehensible noise. After some more effort and time spent on it, the impression was not as bad anymore but still not too positive either. Necronomicon's sound is kind of like a variation of the band's fellow countrymen Kreator on Endless Pain, complete with poor production values. The general feel is extremely primitive and raw though also somewhat fitting for the band's style. Occasionally there are even hints of remotely interesting riffs as on Bloody Revenge although these moments are quite rare indeed. Whatever, the rough and undeveloped material and the ugly production do not exactly make Necronomicon's debut release a pleasant experience.

1. Rhetorical Dictums 2. In Memory 3. Broken Illusions 4. Retributive Strike 5. The Ancient Ones 6. Apocalyptic Nightmare 7. The Following Century (Darkland II)

While Necronomicon's first release had even some moderate primitive appeal in all its roughness, the same cannot be said about their second album that is just some very derivative repetition of the old. Apocalyptic Nightmare could be almost a carbon copy of its predecessor except for some longer and duller tracks. There had been zero advances in production quality or anything between these albums, and the band continued faithfully in their primitive style, something that doesn't help this one to rise even to the level of the previous release. With the mediocre sound quality and totally forgettable content, Apocalyptic Nightmare is about as unappealing as it gets.

1. Death Toll 2. Black Frost 3. Dirty Minds 4. Skeletal Remains 5. Murder Of Profit 6. ...And The Night Will Be Silent 7. Most The ABC 8. Cold Ages (Darkland III)

Based on Necronomicon's earlier efforts, I didn't exactly have high hopes for their third release. Therefore, a couple of minutes into Death Toll already made me wonder if this was really the same band playing. Escalation is indeed something else than its less impressive predecessors with their rather dull sound. With a better production and a lot tighter approach to songwriting, the music appears immediately more convincing than ever before. Most songs are quite effective on some basic level, Death Toll and Cold Ages even minor classics. This development was so surprising I actually had to take and listen to the band's previous albums again, just to see if I had been totally mistaken about them all along (turned out not to be the case, though). With almost none of the old faults remaining, Escalation is a positively surprising and solid album, easily Necronomicon's best up to this point.

Note: This album was reissued in 1991 as The Devils Tongue with different cover art.

1. Final Course 2. Second Birth 3. Just Say No! 4. Bitter Sweet Perversion 5. Temptation 6. Crushing Defeat 7. How Long You Think... 8. Irreversible Destruction 9. Ruins (They Will Cry Tomorrow) 10. Groovy Mouth

Despite the long years after the previous album, Necronomicon's Screams didn't lose the band's traditional sound. In fact, apart from a couple of more unconventional tracks this album is a logical sequel to Escalation, just with some slightly more varied content. As an amusing note, on a couple of occasions the band sound more like Destruction than ever before, though as a whole this album manages to create a feel of its own. Clearly the style of songwriting had become more mature and complex, and some familiar fast thrashers are accompanied with a certain variety that one might not have expected to find on a Necronomicon album. Whereas Just Say No! is a bit too quirky, the captivating Bitter Sweet Perversion and the unbelievably classy Ruins are some of the most memorable tracks here. Also, the guitar sound is generally more unconstrained than on the band's older releases. While I still consider Escalation Necronomicon's best piece of work, Screams is actually not too far behind.

1. Stormbringer 2. Fiction 3. Hard Pain 4. From Hell 5. Alight 6. Paralizer 7. Bone Daddy 8. Hills Of Dead 9. Fireball 10. Terrorist Attack 11. Insanity 12. Possessed Again 13. Hard Pain (live) 14. Insanity (live)

Making it back to the attack again, Necronomicon's comeback album after ten years is something of a proof of concept that stands against time. Construction Of Evil sustains the basic essence of thrash metal as well as the unchanged sound of the earlier Necronomicon albums. There are hardly any surprises for anyone who is familiar with the band's past efforts, although the new album does not have such absolute highlight tracks that could be found on Escalation, for example. On the other hand, the style here is more consistent than on Screams. This release simply provides a fairly powerful load of thrash metal, and the only albeit quite notable drawback is that it doesn't exactly contain anything that wouldn't have been done already several times in the past. In this sense, the final personal value of Construction Of Evil mostly depends on how used to this kind of thing you happen to be, despite the fact that there's nothing really wrong with the album itself.

1. Season Of The Dead 2. Forbidden Pleasure 3. Bleeding Torment 4. Insane For Blood 5. Reincarnation 6. Ancient Slumber 7. Mental Decay 8. Abomination 9. Terminal Vision 10. Painful Discharge 11. Beyond And Back

Talking about horror-themed thrash metal with the most nostalgic feel to it, Necrophagia's Season Of The Dead has everything you could wish for. While the band's reputation as an infamous death metal act has grown ever since, their debut is essentially an album of vintage speed/thrash metal with a particularly menacing and darkened feel. Sometimes the music actually resembles old Kreator played a tad slower. Killjoy's vocals consist solely of spoken verses spit out in a threatening manner, which combined with the pounding riffs and drumming contributes to some very memorable and atmospheric songs. In fact, the production and tuning of instruments make Season Of The Dead sound like a thrashy soundtrack for some old gory horror movie. These are simply some of the most evil sounding tunes from the proto-death metal days. Although Necrophagia's later works can be a subject for mixed reactions, their first recording is a fine release in its specific niche.

1. Kill 2. No More Life 3. The Edge Of Night 4. Downfall Masterpiece 5. Happy Pigs 6. Back In Auschwitz 7. Damned Blessings 8. I Like Bitches

Necrophobic's No More Life proved out to be a nice offering from the more rare side of Polish thrash metal. This album is stompingly heavy, with a fair deal of variety and a nice heavy drive throughout. Not immediately too distinctive, most of these riffs may take time to grow on you, but the consistent and well-balanced sound of the band can be easily observed right from the start. Even if the music as a whole can appear a bit unremarkable to average ears, with a slight tendency to drag at times, the final judgement of this album is bound to end with a positive note. Maybe No More Life does not make an outstanding impression, but it is one of those solid basic building blocks that add to the construction of the whole thrash metal genre.

1. Dark Despair 2. Waters Of Lathe 3. Ashes To Ashes 4. Contemplating Slaughter 5. Killing Kranium 6. Surrender To Death 7. Froze In Fear 8. Cease To Exist

At the first sight Necropolis could be considered just another one album wonder. Not really unique and carrying a close resemblance to many other bands' output, Contemplating Slaughter is not guaranteed to raise any eye brows based on its musical merits alone, but unlike some others in the scene Necropolis succeeded in maintaining a respectable energy level throughout the album. Dark Despair must be the most memorable piece on the whole thing with its great chorus, whereas Ashes To Ashes and Killing Kranium are good examples of totally relentless pounding, never losing the high tempo even though the result does not tend to stick to your head. In all fairness, some of these tracks are pretty forgettable after all. You got to give it to the band, though, it is not too often when a whole album is nearly as intense as this one. Contemplating Slaughter is not exactly a masterpiece, but you know, it could have been much worse.

1. The Search 2. Fall In The Last Summer 3. Prayer 4. From The Sea 5. Liar 6. Golden Valley 7. My Fears 8. Kingdom Of Hate

Thrash metal from Chile was not a common fare in the late eighties, therefore Necrosis entered the scene as quite a lone representative of their country. The Search pays homage to various developments in the genre at the time, providing a string of semi-complex tracks with a combination of mid-tempo stompers and high-speed thrashers. Again, the production quality of this album leaves a lot to be desired and could doom any lesser songs into obscurity. Fortunately, the music here is better than that. Obviously Necrosis had a good taste for menacing riffs that are the major strength of this album, and although the vocals are rather thin the band's message comes across fairly clear. With some real effort evidently put into the songs, it is not too difficult to find The Search a likeable release that is just hindered by the lacking production values.

1. The Electric Prayer 2. Killing Engine 3. (The Busy) Stateman 4. Doomsday Menace 5. Enslaved To The Machine 6. Beyond The Screen 7. Disprogrammed 8. Omega Man 9. Invasion 10. Prayer

After more than a decade since their debut, it is only natural that Necrosis of 2001 sound a bit different from their original incarnation. With many songs featuring thoughts about modern technology and its side-effects, Enslaved To The Machine carries a new kind of message altogether. Most of the actual differences are only superficial, though. The vocals are now deeper than on The Search, and the best of all, the production does not make you feel terrible pity for the band anymore. The characteristic stomping Necrosis sound is still there, and with a lot better recording quality the heaviness of these tracks is only emphasized even more. The fastest thrashers Killing Engine and especially the title track are simply the best the band have recorded so far, and the rest is not bad either. With a convincing quality throughout, Enslaved To The Machine does not pale in comparison to even many much better known names in the field.

1. We're Evil 2. Crazy But Proud 3. Master Of No Mercy 4. Day Of The Damned 5. Controlled By Hatred 6. I'm Your Nightmare 7. Widespread Bloodshed... Love Runs Red 8. My Own Way Of Life 9. Waking The Dead

Something of a novelty item in the genre, No Mercy's Widespread Bloodshed / Love Runs Red is a well-formed speed/thrash metal album from the old days. Considering that much of what would have been No Mercy's second album ended up on How Will I Laugh Tomorrow... by Suicidal Tendencies, it is no accident that these two albums resemble each other to some extent. The biggest difference must be that No Mercy's style is generally faster and more to the point whereas How Will I Laugh Tomorrow... is the more polished release of these two. There are many blatantly catchy thrashers on this album, but actually it's the heaviest stompers like Controlled By Hatred and Waking The Dead that demand the most attention. The vocals are again in the typical Mike Muir vein, very original though possibly irritating to some. Altogether, it is not hard to see that there is a good reason for the cult status this release has gained over the years.

1. Mutants' March 2. Reign Of The Damned 3. Vision Of Decadence 4. Tragic Giving 5. Radical Disease 6. Degeneration Of The Last Decade 7. Nightly Aggression 8. Electro Mania 9. Religion 10. Psychological Breakdown (bonus)

One of the heaviest thrash metal offerings of French variety, No Return's Psychological Torment sounds immediately very powerful to average ears. Against this formally correct as well as notably impetuous output it is therefore a little wonder that the album manages to leave something of a lackluster impression. The content is more pure thrash metal than on the band's later releases, but most of it is not prominent enough to make the ends meet. Like said, the production is good and heavy, but when the band play almost all pieces in the same manner and the compositions tend to appear quite ordinary, the album simply gets pretty repetitive before the end. While Psychological Torment has many good points in the sound department, the music does not really flow in the way that would make you want to get back to it very often.

1. Estranged Dimensions 2. Delirium Tremens 3. Altered Evolution 4. Shades Of Insanity 5. Century Of Execration 6. Sacred Infames 7. Graveyard Without Crosses 8. Morbid Shining 9. Inheritance Of The... 10. Traveling Beyond

Nocturn's Estranged Dimensions gives a good view to Dutch thrash metal with a deathly feel. Mostly it may follow your standard ways of making a heavy impression, but the mood is extremely sinister and evil, occasionally also melancholic, complete with grievous but surprisingly intelligible vocals. Although these tracks are generally very long, sometimes unavoidably dragging pieces of work, you cannot help but sort of admire the haunting feel that this album successfully generates at its best. For the most part the music tends to blend together into a stream of dark consciousness which is a respectable achievement. Estranged Dimensions can be quite a demanding album to listen through, even causing severe fatigue, but Nocturn's captivating sound should pose enough of a challenge to give it a try.

1. Victim Of Disaster 2. No Flag 3. Question Of Reflection 4. Suicide Or Live 5. Death 6. Total Terror

Despite evading wider recognition pretty effectively, Nomed seem to have had potential to make a genuine impact in the French thrash metal scene. Troop Of Death is a mini album of pure unaltered thrashing with a pummeling sound, worth attention for its powerful feel alone. Although the production quality is somewhat rough, most songs are at least semi-catchy and the band put more than enough effort in their presentation. It does not sound too different from many other bands, quite the opposite, but Nomed were at least packing a serious amount of energy into it. While Troop Of Death may appear even typical for its kind, it contains a good deal of forceful thrash metal, done with a convincing attitude altogether.

1. Is It A Dream? 2. Klootzak 3. P.P. 4. Egoist 5. Signs Of Times 6. T. From Aulnoye 7. Too Far, Too Late 8. Friendship 9. C.Y.M.O.D 10. New Project 11. I.W.W.W. 12. Chinese Wall 13. Corruption Of Mind 14. Situation 15. Flower 16. Like... 17. You're Not Alone

Nomed's second release is more refined but also noticeably more varied than their debut recording. Whereas Troop Of Death was nothing but straighforward thrash metal, Like... not only contains the same kind of forceful thrashers as before but also adds a fair number of hardcore-ish pieces in between. Sometimes the combination is amusing enough to make a puzzling effect, but it must be said that the band could really make their music hit the target no matter what. At least even the most unorthodox pieces make this album far from dull. The production has improved somewhat while it still remains powerful and heavy, giving a fine boost to those tracks that really benefit from it. Also, a special mention must be given to the strong vocals that add to Nomed's runaway train sounding output by a nice amount. Like... may be hampered a bit by its variation of styles, but as a whole this album is surely way more interesting than your average product.

1. Live, Suffer, Die 2. Sin 3. Cold Steel 4. Betrayal 5. Radiation Sickness 6. Hang The Pope 7. After The Holocaust 8. Mr. Softee Theme 9. Stranded In Hell 10. Nuclear War 11. My America 12. Vengeance 13. Brain Death

Nuclear Assault were undoubtedly one of the more clever thrash bands of their time and possibly the best one to fuse some blatant hardcore elements with fast thrash metal into a unique mix. Their debut album Game Over is a nice collection of some of the wildest thrash metal with both serious and funny overtones. These tracks sport a thin and somewhat hardcore-ish but very clear production, resulting in a distinctive Nuclear Assault sound where one of the most essential elements is the howling vocals by John Connelly. For the most part the songs are compact energetic bursts like never before, and there is hardly a single boring moment to be found here. Even considering the very depressing lyrics of many songs, listening to this album can be quite an uplifting experience.

1. Game Over 2. Justice 3. Butt F**k 4. Nightmares 5. The Plague 6. Cross Of Iron

The Plague is not much different from Nuclear Assault's debut except for a heavier guitar sound and generally better production. The music is not quite as wild and unrestricted as on its predecessor, though, therefore it may not catch your attention in the same way although the result is definitely not weak. The impression of this mini album is still more of a sequel than a truly independent piece of work, and except for Butt F**k (which is simply a hilarious piece) the songs sound rather similar to each other while they still have a typical stamp of quality on them as you could expect from Nuclear Assault. Maybe this release is not as groundbreaking as Game Over, but The Plague is still worth checking out especially if the band's general style appeals to you.

1. Rise From The Ashes 2. Brainwashed 3. F# 4. Survive 5. Fight To Be Free 6. Got Another Quarter 7. Great Depression 8. Wired 9. Equal Rights 10. PSA 11. Technology 12. Good Times Bad Times

Maybe it's the less vivid production or maybe the music started to get a bit too repetitive here, but Survive doesn't feel quite as refreshing as Nuclear Assault's earlier releases, especially the debut. The tracks on this album sound somewhat formulaic when compared to the variety and energy that were so evident on Game Over. Occasionally, like on Great Depression and Equal Rights, the album manages to catch some of the earlier spirit, but as a whole Survive sounds slightly more plain than its predecessors. Not to forget about the cover version of Led Zeppelin's Good Times Bad Times which appears to be totally out of place on this album. Despite its consistent quality this album just tends to sound like one of the more ordinary Nuclear Assault releases to me.

1. New Song 2. Critical Mass 3. Inherited Hell 4. Surgery 5. Emergency 6. Funky Noise 7. F# (Wake Up) 8. When Freedom Dies 9. Search And Seizure 10. Torture Tactics 11. Mother's Day 12. Trail Of Tears

With Handle With Care Nuclear Assault got back to the right track, as this album is more of the rampant style of the band's debut. The production is magnificent, very heavy and clear, and the songs are ultra-fast. Even more important, this is an extremely well balanced and controlled effort. Considering the lyrics this must be one of the most socially aware thrash metal albums out there, without any hint of being tedious or laughable. The band sound as angry and aggressive as ever but in a more mature way than before. As with most Nuclear Assault releases, the individual tracks do not exactly stand out too well, but that aside, Handle With Care is one of the band's strongest and most impressive albums.

1. Sign In Blood 2. Fashion Junkie 3. Too Young To Die 4. Preaching To The Deaf 5. Resurrection 6. Stop Wait Think 7. Doctor Butcher 8. Quocustodiat 9. Hypocrisy 10. Save The Planet 11. Ballroom Blitz

Out Of Order sounds immediately different from the previous Nuclear Assault releases. Gone is much of the earlier almost insane speed, and the first half of this album is rather mid-tempo stuff. In general there's a lot more variety in the music (take the long instrumental Save The Planet, for example) although this does not remarkably lessen the band's powerful sound. The production is pretty crunchy and suits even the slower songs well. Of course, Nuclear Assault had not totally forgotten their customary high-speed habits and the fast Stop Wait Think is an example of some better tracks on this album. It's true that Out Of Order lacks some of the intensity of the band's other recordings, and the cover version of Sweet's Ballroom Blitz is particularly horrible, but this is still far from being a really bad album.

1. Mister I.D.G.A.F. 2. Lustful For Desaster 3. Cry 4. Evil Spray 5. Mimmo The Bull 6. Where Eagles Reign 7. Rapsody Of Sadness 8. Create Your Destiny 9. Die For Your Flag 10. Snoopies

One can only hope that the spelling of this Italian band's name was intentional in the first place. Except for some amusement over the name, Nuclear Simphony's Lost In Worderland is actually surprisingly satisfying for such a little known release. This album features some quite fresh sounding and varied thrash metal, again somewhat lacking in originality but interesting anyway. Occasionally the band even have an unmistakable early Metallica sound there. The tracks are not too special when heard out of the album context, but the album on the whole has a coherent feel which makes it appear a bit more effective that it might initially seem. Lost In Wonderland is certainly not the most memorable release out there, but it has some very sympathetic feel to it.

1. The End 2. Ritually Abused 3. Death And Innocence 4. No Morals 5. Friday's Child 6. Off With Your Head 7. The Henchman 8. Pirate's Night 9. Turn Of A Screw 10. Kiss Me, Kill Me 11. Rigor Mortis 12. Murder By The Minister (bonus)

Num Skull's cult release of the eighties is a bit problematic album. On one hand, the music is pretty excellent with its wonderful, fast riffs and vicious attacks for songs that still have a good deal of variety in them to make every track interesting and memorable. On the other hand, the screeching vocals are totally overdone in a style similar to Coven but even more extreme, and they can really distract you from the music unless you are completely used to this kind of over-the-top delivery. I think this is a slight pity because Ritually Abused on the whole is actually one of the most intense and captivating thrash metal albums I've ever heard. You can't help but wonder how absolutely perfect it could have been with a bit less hysterical vocals.